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Leaving Mother Lake: A Girlhood at the Edge of the World, by Yang Erche Namu
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Review
"I find this book beautiful, the Moso people inspiring, and Yang Erche Namu's own spirit refreshing, to say the least."
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About the Author
Yang Erche Namu is a professional singer.Christine Mathieu did her doctoral study on Moso culture and history. She lives in San Francisco and is a professor of anthropology at St. Mary's College of California.
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Product details
Paperback: 320 pages
Publisher: Back Bay Books; Reprint edition (February 10, 2004)
Language: English
ISBN-10: 9780316735490
ISBN-13: 978-0316735490
ASIN: 0316735493
Product Dimensions:
5.5 x 0.9 x 8.2 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
61 customer reviews
Amazon Best Sellers Rank:
#223,122 in Books (See Top 100 in Books)
This is a beautiful and poignant memoir (co-authored with Christine Matthieu, an anthropologist)--eloquent and rare. I'd never heard of the Moso people and their matrilineal culture--with unusual customs and disbelief in marriage. So I thought this was a book I could not miss out on. It depicts the author's childhood and adolescence in a primitive environment that favors women. Ms. Yang reveals the fascinating details of her youth, steeped in the beauty of the Himalayan mountains and Lugo Lake, her original homeland at the China-Tibet border. The book culminates in her running away from love (though I wonder what happened to Geko, the young man she rejected) and her village, ultimately to Beijing.I've read that the Moso culture is the only one of its kind in the world. After reading this book, I understand why. Ms. Yang has written eight books (!) in Chinese. Since I longed to know what happened after LEAVING MOTHER LAKE ended, I look forward to a sequel.
I'm a sucker for literature about women of various cultures in different eras coming of age, so this book hit the spot for me. Before life has gotten in the way, I used to be a voracious fiction reader, finishing 5-10 books a month. Nowadays any book that can keep my attention before I lose interest or get distracted halfway through is a win, as this one is.I'm no critic but the writing flows well and the main character is believable because she is imperfect, but she is not a victim, and that's what makes the book enjoyable. What also interested me about this story was actually that while the main character had some romantic interests, the story didn't become singularly engulfed by that aspect. I thought it was a good mix of different aspects of her personality and a view into her conflicting desires.
I started reading this as a novel, but it read like a documentary describing the village life of the Mosuo (Moso) branch of the Nazhi people (or are the Mosuo the parent group?). It finally turns out to be an autobiography of Namu ghosted by Christine Mathieu a French anthropologist. It starts when Namu is a small girl around early 70s, the Cultural Revolution brushes past but hardly disturbs the matrilineal lifestyle. Children are born to multiple fathers but to the same mother who lives with brothers and sisters: marriage doesn’t exist. Namu doesn’t quite fit into her society which she feels is stultifying. She is a powerful singer and is taken up by folk dancing and singing troupes where she learns to want fame and the rich Han Chinese lifestyle to the horror of her mother. The book gives very clear insights into Mosuo life and how, now that China is getting wealthier, it is breaking down. Namu’s life is a hard struggle but a success story: she is anything but modest however, not sure how far that is Mosuo or her own personality. She is incredibly emotional and at times violent in ways that are hard to understand.
Yang Erche Namu, born in 1966 is a professional singer, model, socialite, author and basically a very famous person in China. She has written eight autobiographies in Chinese, none of which have been translated into English. However, from what we can gather from excerpta most of them narrate together with her life story the many relations she has had with men all over the world, with detailed appreciations of their virtues and vices. She is actively interested in women empowerment in China and has been investing in hotels in her home region in Sichuan. In 2007 she wrote a public letter proposing to Sarkozy, but evidently he preferred Carla Bruni. Her fame in China does not march together with public sympathy, and she says of herself that Chinese hate her almost as much as Mao's wife.However, this discussed public personality has a very interesting background, that has drawn the interest of an appreciated anthropologist Christine Mathieu (1954) who undertook the task of reconstructing Namu's childhood. This biography written in first person is not actually written by Namu but by her "interpreter" Mathieu. Namu was born in the Moso ethnicity, one of the 56 Chinese recognized minority groups. The less than 50,000 Moso live according to a matrilinear social organization. Women detain property and through the so called "walking marriage" procreate children that more often than not do not know their fathers. A woman's offspring is usually by different men. This kind of social organization is very rare, but still survives in some parts of the world and determines a peaceful and non violent environment. Until the 1980's this secluded society had had few contacts with the outside world and maintained its peculiar characteristics and represented an anthropologist dream..The spirited and intelligent Namu was keen to escape her limited life in a Moso village, and this is the story of "Leaving Mother Lake". The story of Namu's youth ranges from the description of her family and friends, sibling rivaltry, an isolated experience among the mountains with her uncle and basically a conflictive relationship with her mother Christine Mathieu has reconstructed and rewritten Namu's childhood from long conversations and memories of the protagonist, and after completion of the biography she submitted it to Namu, who recognized herself in the tale. Can this lead us to call this is an authorized biography, a biography by proxy, a false diary, an interpreted memoir? The definition is difficult, and the genesis of this book, which has been a world wide best-seller, is I think one of its drawbacks. The personality of the young Namu has been westernized, and probably for this reason it gains so much empathy. In some points Namu's story reminded me of "Caddie Woodlawn" " or "The Little House on the Prairie".Independently however from the description of the protagonist's character and her personal facts, the book is an anthropologic text full of stories, episodes, historical and religious analysis and correlations with history and sociology of the evolution of modern China. I was personally more interested in this aspect and found that Mathieu knows how to tell a story, and has aptly chosen Namu as her vehicle for a social analysis of the Moso ethnicity. The memoir is followed by a chapter on the discussions on the evolution of the Moso ethnicity and its possible historical explanations and another with a two voice interview with Namu and Mathieu.This book is very readable, it breezes along conveying by broad lines the sense of this social group, it also introduces us to the strong personality of Namu. But I suggest to look her up on from other sources, one of which is Michel Palin's "Himalaya" and reflect on who she really is and what she represents in modern China.
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